There are numerous displays including studies of the Manoppello image, descriptions and large photographs of the Turin and Oviedo shrouds, an example of sea byssus, and three glass panels depicting the Manoppello, Turin, and Olviedo images. In the rear of the church, to the left, is a doorway leading to a large hall. The face of Christ of that image matched the other two. Sometime later, a copy of the lesser known image of Christ, the sudarium or shroud of Oviedo – a bloodstained piece of cloth that could also have been applied to Christ’s body during burial – was superimposed on the Manoppello and Turin images. Not only did the eyes, nose, and mouth line up perfectly, so did the position of wounds. She noted that there were 10 perfect points of contact. Blandina took copies of the two images and superimposed one on top of the other. When she did so, his image was imprinted on the cloth.īeing familiar with the shroud of Turin, Sr. While the Gospels make no reference to the story of Veronica and the veil, tradition says that Veronica encountered Jesus along the Via Dolorosa on the way to Calvary and paused to wipe the blood and sweat off his face with her veil. While looking at the image, she had the impression she was standing in front of the veil of Veronica. Blandina Schlömer, a German Trappist nun, was visiting Manoppello in the 1970s when she made an interesting observation. Others are baffled by the way the pigment was applied to the thin strands and how the image is equally visible on both sides. ![]() Some have suggested it was made from sea byssus, or sea silk (Italian: bisso marino). When the light is on, the man appears alert with the light off, he appears passive and dormant.Įxperts who have studied the image are unable to determine what it is composed of. If a friar or caretaker happens to be present, he will turn a light switch on and off illuminating and darkening the space inside the encasement causing what appears to be a change in the demeanor of the face. His countenance is peaceful, and there are no signs of pain or unease. The image depicts the face of a man with long hair, a light beard divided into bands, eyes opened (one slightly more than the other), and the mouth open. It is striking how the image is just as perceptible from this side, albeit in reverse. ![]() Once atop the staircase, visitors can stand just inches away from the image of Jesus. Walking closer still, the visitor notices that the face is transparent, as the large window panes on the apse behind it can be seen through the image.Ī two-way staircase behind the altar on the other side of the image allows for incredibly close observation. However, while walking toward it, a mysterious face enclosed within a silver reliquary or monstrance begins to appear. Indeed, at the end of the long nave, within a glass encasement behind the main altar, the small 9.5 x 6.5-inch (17 x 24 cm) image is difficult to discern. Upon entering the church, visitors are often struck by how small the image is. Since then, it has remained inside the church safeguarded by the friars. ![]() The image was owned by various families in Manoppello until it was given to the Capuchins in the early 17th century. The doctor went back out only to find that the mysterious pilgrim had disappeared. He went into the church where he opened it and discovered the image. According to an old tradition, an anonymous pilgrim arrived at the church in 1508 with the cloth inside a wrapped package and gave it to a doctor named Giacomo Leonelli.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |